A 4K production kit owned and maintained in-house: cameras, robotic PTZs, a 12G switcher, ISO recorders, digital audio, laser projection and displays. Rent a package or build your own.
Tell us the room and who’s talking. We’ll put together the speakers, mics and mixer that fit, then add a screen if you want one. Watch the room fill in as you go.
Each package is tested, cased and delivered with an operator. Pick your dates and book online, combine kits, or pair any of them with the 16′ × 10′ LED wall.
Multi-camera 4K production with switching, graphics, crew intercom, ISO recording and direct streaming to YouTube, Facebook or any RTMP destination.
Rented for the 2025 NHL Stadium Series at Ohio Stadium
Two robotic 4K cameras on one joystick, with 100 presets per camera. Ideal for meetings, worship and lectures where operators can’t stand in the aisle.
A 40-input digital console, stage box and column PA that sets up fast and sounds full, plus wireless mics for every presenter, panel and Q&A.
Three laser projectors and fast-fold screens, plus 75-inch 4K displays for confidence monitors, lobbies and breakout rooms.
Matched cinema cameras, stabilizer, wireless focus, 32-bit float audio and lighting for interviews, documentaries and branded films.
For the 2025 NHL Stadium Series at Ohio Stadium, Blue Jackets vs. Red Wings on March 1, the league’s production rented our Canon CR-N500 PTZ cameras and RC-IP100 controller, sourced through its vendor partner. The day before puck drop we delivered the kit ourselves: through the tunnel and onto the field, where the rink was built right over the football turf.
Footage: load-in at Ohio Stadium, February 28, 2025.
Our modular flypack rolls in on casters and opens into a broadcast control room: switching, PTZ control, ISO recording, digital audio and wireless, all pre-wired and tested. Modules swap in and out for each show, so you get exactly the system your event needs.
Tap a number, or hover a module, to see where it lives in the case.
Program, previews and live stream / record status at a glance.
Three 5″ monitors keep an eye on every camera feed.
Extra screens for multiview, graphics or speaker confidence.
Robotic cameras positioned by joystick and recalled from stored presets.
Tactile buttons for clean cuts, transitions and keys when it counts.
Blackmagic HyperDeck recorders capture each camera as its own file.
Every channel of the digital mixer visible, adjustable and recallable.
Closed-back headphones for crew comms and critical listening.
40-input digital console with Midas-designed preamps.
Paddle antennas on articulating arms extend wireless mic coverage across large rooms.
Rack-mounted Phenyx Pro receivers with antenna distribution.
Rolls in, wings fold out, and the control room is ready.
Power and cable travel inside the case, so setup is plug-in, not hunt-and-find.
Every major piece we own, with its model number, quantity and verified specs. Tap any item to expand it.
SwitchingBlackmagic ATEM Television Studio 4K8ATEM Television Studio 4K8$385/day× 1The heart of our live productions: a broadcast 12G-SDI switcher with built-in streaming and recording.
| Inputs | 8 × 12G-SDI |
|---|---|
| Max format | 2160p60 Ultra HD |
| Outputs | 10 aux SDI + multiview (12G-SDI & HDMI 2.0) |
| Multiview | 4 to 16 views |
| Keyers | 4 upstream, 2 downstream, 4 advanced chroma |
| Effects | 2 DVEs, 2 media players |
| Audio | 58-channel mixer, talkback |
| Streaming / record | RTMP streaming; record to USB-C or internal M.2 |
Best forConferences, galas, multi-camera live streams
CamerasBlackmagic URSA Broadcast G2URSA Broadcast G2$385/day× 1A 6K broadcast camera that pairs B4 broadcast lenses with cinema image quality.
| Sensor | 6K, 13 stops dynamic range |
|---|---|
| Lens mount | B4 2/3″ (active EF mount included) |
| Blackmagic RAW | Up to 6144 × 3456 at 50 fps; UHD 60p; HD 150p |
| ProRes / H.265 | Up to UHD 60p |
| ND filters | Built-in clear, 2, 4 and 6 stops |
| ISO | Dual native (0 dB / 18 dB gain) |
| Media | 2 × CFast 2.0, 2 × SD UHS-II, USB-C |
| SDI | 12G-SDI in, out and monitor out |
Best forInterviews, broadcast-style events, documentaries
CamerasBlackmagic Studio Camera 4K Pro G2Studio Camera 4K Pro G2 (+2 × Studio Camera 4K Pro)$192.50/day× 3Studio cameras built for live switching, with talkback, tally and camera control over one cable.
| Sensor | Four Thirds, 13 stops |
|---|---|
| Max format | Ultra HD 3840 × 2160 up to 60 fps |
| Lens mount | Active Micro Four Thirds |
| Viewfinder | 7″ 1920 × 1200 touchscreen, 2,000 nits |
| Connections | 12G-SDI in/out, HDMI 2.0, 10G Ethernet |
| Talkback & tally | 5-pin XLR talkback; front and rear tally |
| Recording | Blackmagic RAW to USB-C media |
| Streaming | Direct RTMP over Ethernet or USB-C |
Best forMulti-camera live shows, worship, conferences
CamerasBlackmagic Pocket Cinema Camera 4KS/N 7077941$110/day× 1A compact cinema camera for run-and-gun shoots, B-camera angles and behind-the-scenes coverage.
| Sensor | Four Thirds, 13 stops |
|---|---|
| Resolution | 4K DCI up to 60 fps; HD up to 120 fps |
| ISO | Dual native 400 / 3200 |
| Lens mount | Active Micro Four Thirds |
| Codecs | Blackmagic RAW, ProRes RAW, ProRes 422 HQ |
| Media | CFast 2.0, SD UHS-II, USB-C SSD |
| Screen | 5″ 1080p touchscreen |
Best forRun-and-gun, B-camera, BTS
PTZCanon CR-N500 4K NDI PTZ CameraCR-N500 (Satin Black)$192.50/day× 2Robotic 4K cameras with Canon autofocus, so one operator can cover a whole room from the booth.
| Sensor | 1.0″ CMOS, 8.29 MP |
|---|---|
| Resolution | 4K UHD 30p; Full HD 60p |
| Zoom | 15× optical (20× digital) |
| Autofocus | Dual Pixel CMOS AF with face detection and tracking |
| Outputs | IP (NDI|HX, RTMP), HDMI, 3G-SDI |
| Pan / tilt | ±170° pan, −30° to +90° tilt, 0.1–100°/sec |
Best forMeetings, worship, lectures, unmanned angles
PTZCanon RC-IP100 PTZ ControllerRC-IP100$82.50/day× 1A professional touchscreen joystick that drives every PTZ camera from one position.
| Capacity | Up to 100 Canon cameras over IP |
|---|---|
| Interface | 7″ touchscreen, joystick, zoom lever |
| Presets | 100 per camera; 10 traces per camera |
| Connectivity | LAN (IP), RS-422 serial, tally port |
Best forAny show using our PTZ cameras
RecordingBlackmagic HyperDeck Studio 4K ProHyperDeck Studio 4K Pro$82.50/day× 4Broadcast recorders that capture every camera as its own file, so nothing is lost and the edit has every angle.
| Max format | Ultra HD 2160p60; 4K DCI 30p |
|---|---|
| Codecs | ProRes, DNxHD/HR, H.265, H.264 |
| Media | 2 × 2.5″ SSD, 2 × SD UHS-II, USB-C |
| Video I/O | 12G-SDI in, 2 × 12G-SDI out, HDMI 2.0 in/out |
| Timecode | XLR in and out |
| Size | 1 rack unit |
Best forISO recording of every camera
RecordingBlackmagic DeckLink 4K Extreme 12GDeckLink 4K Extreme 12G + Sonnet Echo Express SE IIIe$82.50/day× 1A 12G-SDI capture and playback card, run from a laptop through a Thunderbolt 3 chassis.
| Max format | 4K DCI 4096 × 2160 |
|---|---|
| SDI | 2 × 12G-SDI in, 2 × 12G-SDI out |
| HDMI | In and out |
| Audio | 16 ch SDI, 8 ch HDMI, AES/EBU, analog XLR |
| Interface | PCIe Gen 2 ×8 (Thunderbolt 3 chassis) |
Best forGraphics, playback, recording to a computer
AudioBehringer X32 Rack Digital MixerX32 RACK$165/day× 1A 40-input digital console that mixes the room and the stream at the same time.
| Channels | 40 inputs (32 input, 8 aux, 8 FX returns) |
|---|---|
| Buses | 25 (16 aux, 6 matrix, main LCR) |
| Preamps | 16 Midas-designed |
| Effects | 8 true-stereo FX slots |
| USB interface | 32 × 32 channels |
| Networking | 2 × AES50 (up to six S16 stage boxes) |
| Control | iPad, iPhone, Android and desktop apps |
| Size | 3 rack units |
Best forPanels, keynotes, live music, hybrid events
AudioBehringer S16 Digital Stage BoxS16 (S16d2)$82.50/day× 1A stage box that runs 16 microphones to the mixer over one network cable.
| Inputs | 16 XLR, Midas preamps, +48V |
|---|---|
| Outputs | 8 XLR + headphone |
| Network | 2 × AES50, up to 100 m over CAT5e |
| Digital out | 2 × ADAT optical |
| Converters | 24-bit, 44.1/48 kHz |
| Size | 2 rack units, 10.4 lb |
Best forStages far from the mix position
AudioTurbosound iP3000 Column PAiP3000$192.50/day× 2Powered column systems that fill a ballroom or outdoor crowd with clear sound and a small footprint.
| Power | 2,000 W |
|---|---|
| Drivers | 2 × 12″ subwoofers, 16 × 3.5″ neodymium mids, 2 × 1″ tweeters |
| Max SPL | 130 dB |
| Frequency | 45 Hz – 20 kHz |
| Mixer | Built-in 3-channel digital mixer |
| Extras | Bluetooth playback, app control |
| Weight | 114 lb |
Best forBallrooms, outdoor events, live music
AudioTurbosound iP300 Column PAiP300$82.50/day× 2Compact columns for breakouts, small rooms and speech reinforcement.
| Power | 600 W |
|---|---|
| Drivers | 2 × 6.5″ woofers, 4 × 2″ HF drivers |
| Max SPL | 122 dB |
| Frequency | 50 Hz – 20 kHz |
| Extras | Bluetooth, iOS/Android control |
| Weight | 26.2 lb |
Best forBreakouts, speeches, small venues
AudioSound Devices MixPre-6 IIMixPre-6 II$93.50/day× 1A pro field recorder with 32-bit float, so interview audio is protected from sudden peaks.
| Preamps | 4 Kashmir mic preamps |
|---|---|
| Tracks | 8 (stereo mix + 6 ISO) |
| Bit depth | 32-bit float (142 dB dynamic range) |
| Sample rate | Up to 192 kHz |
| Timecode | Built-in generator |
| USB | 8-in / 4-out audio interface |
| Power | USB-C, AA sled, L-mount sled |
Best forInterviews, documentaries, dual-system sound
AudioSennheiser MKE 600 Shotgun MicMKE 600$27.50/day× 2A broadcast shotgun microphone that rejects room noise for on-camera and boom audio.
| Pattern | Supercardioid / lobar |
|---|---|
| Frequency | 40 Hz – 20 kHz |
| Power | 48 V phantom or AA battery (150 hrs) |
| Filter | Switchable low-cut |
| Connector | XLR (3.5 mm adapter included) |
Best forInterviews, run-and-gun, ambient capture
AudioZoom F1-LP Lavalier RecorderF1-LP$22/day× 4Body-pack recorders that capture clean backup audio right at the speaker.
| Recording | WAV up to 24-bit / 96 kHz |
|---|---|
| Mic | LMF-1 omnidirectional lavalier |
| Protection | Limiter, auto level, low-cut |
| Battery | Up to 10 hours on 2 × AAA |
| Media | microSD up to 32 GB |
Best forInterviews, presenters, backup audio
DisplayDigital Projection E-Vision Laser 8500E-Vision Laser 8500$495/day× 1A bright laser projector that stays sharp in rooms where the lights can’t go fully down.
| Brightness | 8,500 ANSI lumens |
|---|---|
| Resolution | 1920 × 1200 (WUXGA) |
| Technology | Laser DLP |
| Contrast | 10,000:1 |
| Light source | Up to 20,000 hours |
| Inputs | HDBaseT, HDMI, DisplayPort 1.2 |
Best forBallrooms, keynotes, large screens
Display180″ Fast-Fold Projection Screens16:10 · front & rear fabric · drape kits$165/day× 2Large-format screens that set up in minutes and dress the stage with black drape.
| Size | 180″ diagonal, 16:10 |
|---|---|
| Viewing area | 12′ 8½″ × 7′ 11½″ (3.88 × 2.42 m) |
| Projection | Front or rear fabric |
| Dress | Black drapes on four sides |
| Transport | Flight cases |
Best forKeynotes, side screens, ballrooms
DisplayHisense 75″ U8K Mini-LED 4K75U8K (2023)$137.50/day× 2Bright 4K displays for confidence monitors, lobbies, sponsor loops and breakouts.
| Panel | 4K Mini-LED with quantum dot |
|---|---|
| Dimming | 1,056 local dimming zones |
| Brightness | Up to 1,500 nits HDR |
| Refresh | Native 144 Hz |
| HDR | Dolby Vision IQ |
Best forConfidence monitors, lobbies, breakouts
LightingGodox AD600 ProAD600 Pro$66/day× 1A powerful battery strobe for portraits, headshots and event photography anywhere.
| Power | 600 Ws, 9-stop range |
|---|---|
| Recycle | 0.01–0.9 sec |
| Battery | About 360 full-power flashes |
| Sync | TTL; HSS up to 1/8000 s |
| Color | 5600K ±200K |
| Wireless | 2.4 GHz, 100 m range |
| Mount | Bowens |
Best forHeadshots, portraits, event photography
LightingAputure LS C120d IILS C120d II$55/day× 4High-CRI daylight LEDs for key, fill and back light on interviews and on-camera talent. Four units means a full three-point setup with a spare.
| Color temp | 5500K daylight |
|---|---|
| Accuracy | CRI 96+, TLCI 97+ |
| Output | 88,000 lux at 0.5 m (Fresnel) |
| Power | 150 W |
| Control | Wireless remote, DMX512 |
Best forInterview lighting, key light
CamerasCanon EOS 6D Mark IIEOS 6D Mark II body$66/day× 1A full-frame stills camera for event photography, headshots and B-roll, on our Canon EF lenses.
| Sensor | 26.2 MP full-frame CMOS |
|---|---|
| Autofocus | 45 cross-type points; Dual Pixel CMOS AF in Live View and video |
| ISO | 100–40,000 (expandable to 102,400) |
| Video | Full HD 1080p up to 60 fps |
| Burst | Up to 6.5 fps |
| Screen | 3.0″ articulating touchscreen |
| Mount | Canon EF |
Best forEvent photography, headshots, stills on set
CamerasSony HXR-NX30U Palm CamcorderHXR-NX30U$55/day× 1A palm-sized pro camcorder with gimbal-style optical stabilization and XLR audio, for run-and-gun and roaming coverage.
| Sensor | 1/2.88″ Exmor R CMOS |
|---|---|
| Video | 1080p60 (AVCHD, 28 Mbps) |
| Lens | Zeiss 10× optical zoom (26–260 mm equiv.) |
| Stabilization | Balanced Optical SteadyShot |
| Audio | 2 × XLR with phantom power, built-in stereo mic |
| Media | 96 GB internal + SD card |
| Extras | Built-in projector; HDMI out with timecode |
Best forRoaming crowd shots, behind the scenes, backup angle
Fast primes and a stage-length zoom that cover interviews, portraits and long throws from the back of the room.
| Wide prime | Sigma 35mm f/1.4 DG Art (Sony E) |
|---|---|
| Telephoto zoom | Sigma 70-200mm f/2.8 (Canon EF) |
| Cine prime | Rokinon 50mm T1.5 UMC Cine (Canon EF) |
| Portrait prime | Canon EF 85mm f/1.8 USM |
| Adapter | Sigma MC-11 Canon EF to Sony E |
Best forInterviews, portraits, stage close-ups
MonitoringAtomos Shogun 7ATOMSHG701$82.50/day× 1A 7-inch, 3,000-nit HDR monitor-recorder that also records and switches up to four camera feeds.
| Screen | 7″ 1920 × 1200 touchscreen, 3,000 nits HDR |
|---|---|
| Inputs | HDMI 2.0; 12G-SDI / quad 3G-SDI |
| Outputs | HDMI 2.0, 12G-SDI |
| Recording | ProRes RAW up to DCI 4K60; ProRes and DNx |
| Switching | Up to 4 ISO HD feeds plus program |
| Media | 2.5″ SSD / SSDmini |
Best forDirector’s monitor, ProRes RAW capture, small multicam
MonitoringPortKeys LEYE ViewfinderLEYE 3G-SDI & HDMI$27.50/day× 1A compact electronic viewfinder with exposure and focus tools for handheld and shoulder-rig shooting.
| Screen | 2.4″ 1440 × 900 LCD |
|---|---|
| Inputs | HDMI up to UHD 30p; 3G-SDI up to 1080p |
| Tools | False color, peaking, waveform, zebra, 3D LUTs |
| Power | LP-E6 battery or 7–24 V LEMO |
Best forHandheld and shoulder rigs in bright rooms
SupportDJI RS 2 Gimbal (Pro Combo)Ronin RS 2 Pro Combo$66/day× 1A 3-axis gimbal for smooth walking shots, entrances and stage-side moves.
| Payload | Tested to 4.5 kg (10 lb) |
|---|---|
| Weight | About 960 g |
| Battery | Up to 12 hours |
| Speed | 360°/s on all axes |
| Connectivity | Bluetooth 5.0, USB-C |
Best forWalk-and-talks, entrances, highlight films
SupportLeofoto VT-20 Video Tripod KitVT-20 + LF-75$16.50/day× 2Lightweight aluminium video tripods with fluid heads for interview and event cameras.
| Max load | 4 kg |
|---|---|
| Height | Up to 1,820 mm |
| Head | VT-20 fluid video head, 75 mm bowl |
| Material | Aluminium |
Best forInterview cameras, mirrorless and cinema rigs
AudioRØDE Wireless GO IIDual-channel system$38.50/day× 1A two-person wireless mic kit with onboard backup recording in each transmitter.
| Channels | 2 transmitters, 1 receiver |
|---|---|
| Range | Up to 200 m line of sight |
| Transmission | 2.4 GHz digital, 128-bit encryption |
| Backup | 24+ hours onboard recording per transmitter |
| Battery | Up to 7 hours |
| Outputs | 3.5 mm analog and USB-C digital |
Best forInterviews, two-person conversations, run-and-gun
Camera ControlBlackmagic Focus DemandFocus Demand$27.50/day× 1A handle-mounted focus control that lets a studio-camera operator pull focus on a servo lens without reaching for the barrel.
| Compatible cameras | URSA Broadcast G2 (B4), Studio Camera 4K Plus & Pro |
|---|---|
| Connection | Camera USB-C port, locking cable included |
| Daisy chain | Pairs with Zoom Demand, keeps a USB port free for SSD recording |
| Mounting | Clamp fits a tripod pan handle |
| Lenses | Electronic (servo) focus lenses only |
Best forStudio and broadcast cameras on tripods, long lenses at live events
AudioJ-Tech Digital XLR to Dante Input AdapterJTECH-DA2EX$27.50/day× 1Puts two analog XLR sources, such as a podium mic or a playback laptop, onto a Dante audio network with one Ethernet cable.
| Channels | 2 × XLR in, balanced or unbalanced |
|---|---|
| Input levels | +24 dBu, +4 dBu, 0 dBu, 0 dBV, −10 dBV |
| Audio | 24-bit, 44.1–96 kHz |
| Latency | Dante 1, 2 or 5 ms |
| Power | PoE (802.3af) or USB-C |
Best forBallrooms and venues wired for Dante, long analog runs
AudioJ-Tech Digital Dante to XLR Output AdapterJTECH-DA2DX$27.50/day× 1Pulls two channels off a Dante network as analog XLR, for a camera, a recorder, an amp or a press feed.
| Channels | 2 × XLR out, balanced or unbalanced |
|---|---|
| Audio | 24-bit, 44.1–96 kHz |
| Latency | Dante 1, 2 or 5 ms |
| Power | PoE (802.3af) or USB-C |
Best forHouse-audio feeds to cameras, recorders and overflow rooms
MonitoringBlackmagic Micro Converter BiDirectional SDI/HDMI 12GCONVBDC/SDI/HDMI12G/P$16.50/day× 2Pocket-size converters that bridge SDI and HDMI in both directions at once, so cameras, switchers, laptops and displays can talk to each other.
| Directions | SDI → HDMI and HDMI → SDI simultaneously |
|---|---|
| SDI | 12G / 3G / HD / SD-SDI with re-clocking |
| HDMI | HDMI 2.0, HDCP 2.2 |
| Formats | Up to 2160p60 (UHD and DCI 4K) |
| Power | USB-C, 5 W; power supply included |
| Size | 81 × 59 × 25 mm, 174 g |
Best forLaptops into the switcher, program feeds to projectors and TVs
SwitchingBlackmagic ATEM SDI Extreme ISOSWATEMMXEPCEXTISO$192.50/day× 1A compact 8-input HD switcher that streams, records every camera separately and fits in a flypack for mid-size events.
| Inputs | 8 × 3G-SDI with format and frame-rate conversion on every input |
|---|---|
| Outputs | 4 × 3G-SDI |
| Keying | 4 upstream and 2 downstream keyers |
| Multiview | Up to 16 views |
| Streaming | Built-in over Ethernet, or 4G/5G phone tethering |
| Recording | 9 separate H.264 streams (8 ISO + program) to USB-C drives |
| Audio | 2 × 3.5 mm analog in, 1 × out |
Best forHD multicam streams, conferences, breakout studios
LensesFujinon LA16x8BRM-XB1A 4K Broadcast LensLA16x8BRM-XB1A$165/day× 1A 4K broadcast zoom built for the URSA Broadcast, with the reach to hold a tight shot of a speaker from the back of a ballroom.
| Mount | 2/3″ B4 |
|---|---|
| Focal length | 8–128 mm (16× zoom) |
| Aperture | f/1.9 at 8 mm, f/2.8 at 128 mm |
| Angle of view | 61.9° wide to 4.3° tele (16:9) |
| Close focus | 0.8 m |
| Control | Servo focus, electronic back-focus adjustment |
| Filter / weight | M82 × 0.75 · 1.6 kg |
Best forKeynotes, stage coverage, live broadcast from the back of the room
Camera ControlTilta Nucleus-Nano Wireless Follow FocusWLC-T04$44/day× 1A compact wireless focus system so an assistant can pull focus while the camera is on a gimbal, slider or shoulder rig.
| Range | Up to 300 ft |
|---|---|
| Motor | 0.65–1 N·m torque, 5–18 V |
| Hand wheel | A-B hard stops, auto lens calibration, run/stop |
| Battery | 14500 cells, about 6 hours |
| Mounting | 15 mm rods; gimbal plates included |
Best forGimbal work, interviews at shallow depth of field, music videos
RecordingAngelbird AV PRO CF 1TB CFast 2.0 CardAVP1TBCF$27.50/day× 1A rugged 1 TB CFast 2.0 card for long recordings on the URSA Broadcast G2 and Atomos recorders. A CFast reader is included.
| Capacity | 1 TB |
|---|---|
| Speed | Up to 560 MB/s read, 430 MB/s sustained write |
| Interface | CFast 2.0 (SATA III) |
| Durability | Shock, X-ray, magnet and temperature resistant |
| Includes | Angelbird CFast card reader |
Best forFull-event recording without card swaps
AudioYamaha MGX16V Digital MixerMGX16V (White)$110/day× 1A compact digital mixer for panels, worship and hybrid events. Its HDMI capture sends mixed audio and a 4K video feed to a streaming laptop over one USB-C cable.
| Inputs | 8 XLR/TRS combo with up to 86 dB gain, 4 line, 2 stereo RCA |
|---|---|
| Buses | 8 mix, 2 FX, cue, stereo |
| Control | Tactile faders, 4.3″ touchscreen, Auto Gain, scene recall |
| Processing | EQ, compression, gate on every channel; reverb and delay |
| Interface | Dual USB-C, up to 22 channels; HDMI 4K capture with pass-through |
| Recording | 16-track to microSD, 24-bit / 96 kHz |
| Extras | Bluetooth audio in, 4 headphone outs |
Best forPanels and breakouts, hybrid meetings, streamed worship services
DisplayPanasonic PT-RZ660B Laser ProjectorPT-RZ660B (Black)$275/day× 2A pair of bright, quiet laser projectors for ballrooms and breakouts. Run them as two screens, or blend them into one wide image.
| Brightness | 6,000 ANSI lumens |
|---|---|
| Resolution | 1920 × 1200 (WUXGA) |
| Light source | Laser phosphor, 20,000 hours |
| Contrast | 10,000:1 dynamic |
| Inputs | HDMI, DVI-D, 3G-SDI, VGA, DIGITAL LINK (HDBaseT) |
| Lens | Powered 1.4× zoom and focus, 1.7–2.4:1 throw, lens shift |
| Extras | Edge blending; 35 dB |
Best forSide screens in ballrooms, breakout rooms, wide blended images
CamerasSony FX30 Cinema Line CameraILME-FX30 with XLR handle unit$110/day× 2A matched pair of compact Cinema Line cameras for interviews, documentary and event coverage. Each comes with the XLR handle for pro audio.
| Sensor | 20.1 MP Super 35 (APS-C) Exmor R |
|---|---|
| Video | 4K up to 120p, 10-bit 4:2:2 |
| Latitude | 14+ stops, dual base ISO |
| Looks | S-Cinetone, S-Log3, Cine EI; user LUTs to screen, HDMI and clips |
| Audio | XLR handle unit with 2 XLR/TRS inputs |
| Mount | Sony E-mount |
Best forTwo-camera interviews, documentary, run-and-gun event coverage
SwitchingElgato Stream Deck + XLStream Deck + XL$27.50/day× 1A programmable control surface for the switcher, graphics, playback and stream software, so complex cues run with one press.
| Keys | 36 customizable LCD keys |
|---|---|
| Dials | 6 multifunction dials |
| Display | Touch strip for live status and extra pages |
| Automation | Multi Actions, unlimited profiles |
| Integrations | Video switchers, DAWs, OBS, creative apps |
| Connection | USB-C, PC and Mac |
Best forGraphics and playback operators, solo streams, lower-third cues
MonitoringBlackmagic Video Assist 5″ 12G HDRHYPERD/AVIDA12/5HDR$55/day× 1A bright on-camera monitor and recorder, so a camera that records only compressed footage can capture high-quality ProRes, DNx or Blackmagic RAW.
| Screen | 5″ 1920 × 1080 touchscreen, 2,500 nits HDR |
|---|---|
| Inputs / outputs | 12G-SDI and HDMI 2.0a, in and out |
| Recording | ProRes, DNxHD/HR and Blackmagic RAW from supported cameras |
| Audio | Up to 16 SDI / 8 HDMI embedded channels |
| Tools | Waveform, vectorscope, histogram, focus assist, 3D LUTs |
Best forGimbal and handheld rigs, client monitoring, backup recording
AudioPhenyx Pro PTAU-2 Dual Wireless Handheld SystemPTAU-2$38.50/day× 3Two wireless handheld mics on one receiver, for presenters, panels, Q&A and performers. Three sets give you six mics.
| Per set | 1 dual-channel receiver, 2 handheld dynamic mics |
|---|---|
| Band | UHF 500 MHz, 2 × 1,000 selectable frequencies |
| Reception | True diversity, auto scan, spectrum analyzer |
| Interference | ID lock pairs each mic to its channel |
| Power | Selectable 5 / 10 / 30 mW transmit; AA batteries |
| Outputs | XLR and 1/4″ |
Best forPanels and Q&A, award presenters, worship and performances
AudioPhenyx Pro PTU-7000-4B Wireless Bodypack SystemPTU-7000-4B$66/day× 1Four wireless bodypacks, each with a headset and a lapel mic, for hands-free speakers, panelists, officiants and presenters.
| Channels | 4 UHF bodypacks on one metal receiver |
|---|---|
| Mics | 4 headset and 4 lapel (lavalier) mics, unidirectional |
| Frequencies | 4 × 40 selectable; auto scan and IR sync |
| Range | Up to 290–328 ft line of sight |
| Bodypack | Mini XLR input, mute, frequency lock; AA batteries |
| Outputs | XLR and 1/4″ |
Best forKeynotes, panels, ceremonies and hands-free presenters
CommsHollyland Solidcom C1 Pro Wireless Intercom (4-Person)Solidcom C1 Pro$82.50/day× 1Hands-free wireless headsets that keep the director, camera operators and stage manager talking through the whole show.
| Headsets | 4 single-ear headsets, no base station needed |
|---|---|
| Talk | Full duplex; push-to-talk and mute button |
| Noise | Dual-mic noise cancellation, about 20 dB |
| Range | Up to 1,100 ft line of sight, 1.9 GHz, encrypted |
| Battery | 2 swappable rechargeable batteries per headset |
| Expansion | Up to 8 headsets without a hub; works with Solidcom C1 |
Best forMulti-camera shows, stage management, live events with spread-out crews
CablesHighwings 8K HDMI 2.1 CableUltra High Speed 48 Gbps$5.50/day× 21Braided Ultra High Speed HDMI in every length from a one-foot jumper to a 250-foot run. Tell us the lengths you need and we’ll pack them.
| Lengths on hand | 1, 1.7, 3.3, 5, 6.6, 8, 10, 13, 15, 20, 25, 30, 35, 40, 50, 65, 75, 100, 150, 200 and 250 ft |
|---|---|
| Bandwidth | 48 Gbps, HDMI 2.1 |
| Video | 8K60, 4K120, HDR, VRR |
| Audio | eARC |
| Build | Braided nylon jacket, reinforced strain relief |
Best forLaptops to switchers, displays, projectors and confidence monitors
CablesXRDS-RF 12G-SDI CableRG6 · 75 Ω BNC male$5.50/day× 16Broadcast SDI cable for camera, switcher and recorder runs, rated for 12G so 4K signals stay clean over distance.
| Lengths on hand | 3, 6, 10, 15, 25, 50, 100 and 150 ft |
|---|---|
| Standard | SMPTE ST-2082 12G; also 6G, 3G and HD-SDI |
| Cable | RG6, dual shield, 75 Ω |
| Connectors | BNC male, nickel-plated copper |
Best forCameras to switcher, long runs to the stage, recorder and monitor feeds
StreamingZowieBox 4K NDI Encoder/DecoderZowieBox · NDI|HX3$44/day× 1A pocket-size box that turns any HDMI source into a network stream, or turns a network stream back into HDMI, without a computer.
| Encode | HDMI to NDI|HX3 / HX2 / HX, SRT, RTMP(S), RTSP; H.264 and H.265 |
|---|---|
| Decode | IP streams back to HDMI, up to 4K30 / 1080p60 |
| Input | 4K HDMI with zero-lag pass-through |
| Control | Web interface; tally light, LCD status, VISCA over IP for PTZ |
| Power | USB-C or PoE; tripod mount |
Best forRemote camera feeds over a network, standalone streams, NDI into OBS or vMix
MonitoringAccsoon CineView SE Wireless Video SystemCineView SE TX + RX$55/day× 2Cable-free video from a roaming camera to the switcher, a director’s monitor or a phone, so handheld and gimbal shots can go live.
| Inputs / outputs | HDMI and SDI |
|---|---|
| Video | 1080p up to 60 fps |
| Range | Up to 1,200 ft line of sight; dual-band 2.4 + 5 GHz |
| Latency | About 0.05 seconds |
| Receivers | Up to 4 per transmitter, including phones and tablets via the Accsoon SEE app |
| Power | NP-F batteries, DC 7.4–16.8 V or USB-C |
Best forRoaming and gimbal cameras into the switcher, wireless client monitoring
Specs summarized from manufacturer and authorized-retailer listings. Quantities reflect our current in-house inventory.
Every package ships in our branded van with the crew that runs it: no couriers, no surprise substitutions.
Model numbers and key specs for planning signal flow, power and staging. Need a cut sheet or stage plot? Just ask.
Yes. Packages include delivery, setup, testing and strike by our crew in Columbus and Atlanta. We quote travel for events elsewhere.
Yes. The ATEM Television Studio 4K8 streams directly to any RTMP destination, and the X32’s 32 × 32 USB interface and HDMI or SDI outputs feed Zoom, Teams or Webex for hybrid meetings.
Yes. Four HyperDeck Studio 4K Pro recorders capture isolated camera feeds, and the switcher records the program, so the edit has every angle.
Up to eight sources into the 4K switcher: operated studio and cinema cameras, two robotic PTZ cameras, slides and playback, all in Ultra HD.
No. One operator runs both Canon CR-N500 cameras from the RC-IP100 joystick, with up to 100 presets per camera and autofocus face tracking.
Projection on our 180″ screens is cost-effective for ballrooms and conference halls. The 75″ displays suit confidence monitors and breakouts. For daylight, outdoor events or the biggest impact, choose the 16′ × 10′ LED wall. We recommend the right mix for your room.
Most of our inventory goes out with an operator so the show is protected. Ask about dry hire for specific items. Availability depends on the item and your experience.
Book a package online, or send your date and we’ll build the kit, test every piece and deliver it with an operator who knows it cold.
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Rather talk it through? 614-404-7082 Or book a package online
